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Audio has always been the unsung hero of immersive storytelling — until now.

In Episode 6 of Behind the Rack, we go deep into experiential audio capture with industry veterans Everett Saylier and Bill Oakley, exploring how modern broadcast workflows are evolving — and why audio is finally catching up to video.

We break down Shure’s DCA 901 planar array microphone, how it differs from traditional shotguns and parabolic mics, and why broadcasters, leagues, and live productions are rethinking how sound is captured in high-pressure environments. From live sports and poker tournaments to armored MMA and major broadcast events, this conversation pulls back the curtain on what it really takes to make immersive audio work — especially when everything goes off the rails behind the scenes.

🔊 In this episode, we cover:

• What experiential capture really means — and why it matters more than ever
• How planar array microphones work (without the marketing fluff)
• Why audio is still the most critical element of storytelling
• Real-world broadcast use cases: NBA, NHL, MLB, MMA, poker & more
• How AI DSP and tracking systems elevate subtle, game-critical sounds
• The reality of live production when things break — and how pros recover
• Why modern workflows demand networked audio, flexibility, and fewer hands

Whether you’re in broadcast, Pro AV, live sound, or systems integration, this episode offers a rare behind-the-scenes look at how next-generation audio tools are redefining what audiences hear — and feel.

🎧 Listen now and discover why the least interesting thing about this mic… might be how good it sounds.