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Sid talks with Paul Richards, Professor of Music and Head of Composition at the University of Florida. When I speak of my colleague’s music as being “all over the place,” I mean this as the ultimate compliment. Richards has written orchestral, vocal, chamber, and theatrical works, as well as full-length operas. His music has been praised for its “strong, pure melodic gifts,” and he has had commissions from numerous organizations, orchestras, and university programs. Paul is especially interested in the relation between words and music, their aesthetic differences no less than similarities, how artists in two such different media can complement, even enhance each other’s work
Sid talks with Paul Richards, Professor of Music and Head of Composition at the University of Florida. When I speak of my colleague’s music as being “all over the place,” I mean this as the ultimate compliment. Richards has written orchestral, vocal, chamber, and theatrical works, as well as full-length operas. His music has been praised for its “strong, pure melodic gifts,” and he has had commissions from numerous organizations, orchestras, and university programs. Paul is especially interested in the relation between words and music, their aesthetic differences no less than similarities, how artists in two such different media can complement, even enhance each other’s work