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George Miller began his life as a filmmaker with the release of Mad Max in 1979, and throughout a long and varied career as the director of such films as The Witches of Eastwick, Babe: Pig in the City, and Happy Feet, it seems that the world of Mad Max is one that he’s never entirely left. 30 years after the release of Mad Max Beyond Thunderdome - and almost 20 years after originally conceiving of the project - Miller finally released the next installment of his beloved series with Mad Max: Fury Road.
With a new actor in the titular role - not to mention the 3 decades between installments - would Miller be able to recapture the magic of the original films, or would this be another example of an aging director trying - and failing - to revisit the ground that they broke in their younger years? If you’ve seen Fury Road, you likely already know the answer to that question, but come along with the Videostore Junkies anyways as we ruminate on what works about this film, what doesn’t, and what its ultimate place is in the pantheon of Mad Max stories.
By The Videostore JunkiesGeorge Miller began his life as a filmmaker with the release of Mad Max in 1979, and throughout a long and varied career as the director of such films as The Witches of Eastwick, Babe: Pig in the City, and Happy Feet, it seems that the world of Mad Max is one that he’s never entirely left. 30 years after the release of Mad Max Beyond Thunderdome - and almost 20 years after originally conceiving of the project - Miller finally released the next installment of his beloved series with Mad Max: Fury Road.
With a new actor in the titular role - not to mention the 3 decades between installments - would Miller be able to recapture the magic of the original films, or would this be another example of an aging director trying - and failing - to revisit the ground that they broke in their younger years? If you’ve seen Fury Road, you likely already know the answer to that question, but come along with the Videostore Junkies anyways as we ruminate on what works about this film, what doesn’t, and what its ultimate place is in the pantheon of Mad Max stories.