<h3>February 21st, 2019</h3><p class="">Matt talks about the tension between being both an artist and a fabricator in the contemporary art world and the different dynamic when working for a fabrication company vs. working closely with only one artist. His favorite tool is an angle grinder.</p>

February 21st, 2019Matt talks about the tension between being both an artist and a fabricator in the contemporary art world and the different dynamic when working for a fabrication company vs. working closely with only one artist. His favorite tool is an angle grinder.

February 21st, 2019<p>Matt talks about the tension between being both an artist and a fabricator in the contemporary art world and the different dynamic when working for a fabrication company vs. working closely with only one artist. His favorite tool is an angle grinder.</p>

Episode 01 - Matt Quinn: Playing in Elvis's Band

Harriet Salmon interviews fabricators and craftspeople who assist in the production of contemporary artworks. This podcast will document fabricator’s experiences to shine a light on the amazing breadth of talent in the field and to capture this particular moment in the art world. We're interested in conversations about hierarchies within craft vs. concept, questions of intellectual property, trends of de-skilling in art, wealth disparity, and the conflict felt by many fabricators between working in art production and being artists in their own right.

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Episode 01 - Matt Quinn: Playing in Elvis's Band

Episode 01 - Matt Quinn: Playing in Elvis's Band