
Sign up to save your podcasts
Or
I first became aware of Greg Calbi in 1983 when he mastered the first Pressure Boys album for us by recommendation from Mitch Easter and Don Dixon. At the time I remember distinctly not understanding exactly what the mastering process even entailed. Of course over the years as formats have changed, that process has evolved considerably... but Greg is still considered one of the preeminent mastering engineers in the field.
My conversation with Greg discusses his early days with artists like John Lennon and David Byrne, as well as detailing some of his approaches when working with clients.
5
11 ratings
I first became aware of Greg Calbi in 1983 when he mastered the first Pressure Boys album for us by recommendation from Mitch Easter and Don Dixon. At the time I remember distinctly not understanding exactly what the mastering process even entailed. Of course over the years as formats have changed, that process has evolved considerably... but Greg is still considered one of the preeminent mastering engineers in the field.
My conversation with Greg discusses his early days with artists like John Lennon and David Byrne, as well as detailing some of his approaches when working with clients.