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Today on Leaf by Leaf, we're studying Gabriel García Márquez and One Hundred Years of Solitude. Our craft topic is opening lines and the first chapter — specifically, how an opening earns a reader's trust, makes a contract with them, and pulls them forward into a story they didn't know they needed. But before we get into the craft, let me give you a quick overview of the novel itself — just enough to orient us for the conversation ahead.
By Robert BensonToday on Leaf by Leaf, we're studying Gabriel García Márquez and One Hundred Years of Solitude. Our craft topic is opening lines and the first chapter — specifically, how an opening earns a reader's trust, makes a contract with them, and pulls them forward into a story they didn't know they needed. But before we get into the craft, let me give you a quick overview of the novel itself — just enough to orient us for the conversation ahead.