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Hsin-Yun Huang is a violist on the faculty of the Juilliard School and Curtis Institute of Music. In conversation with The Strad's online editor Davina Shum, she shares her philosophies that help inform her playing and teaching.
Hsin-Yun has written an article about the parallels between Chinese calligraphy and string playing, which features in our August 2021 issue. Read it here: https://bit.ly/3BMckep
Check out thestrad.com for all the latest news and discussion on all things to do with string playing. Why not register and subscribe to access exclusive archival content from 2010 onwards?
Right now we're offering a 50% off our online subscription for students! Check it out here: https://bit.ly/3eQ75AB
Find us on social media:
Facebook.com/thestrad
Twitter: @TheStradMag
Instagram: @the_strad_
Photo credit: Raymond Huang
By The Strad5
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Hsin-Yun Huang is a violist on the faculty of the Juilliard School and Curtis Institute of Music. In conversation with The Strad's online editor Davina Shum, she shares her philosophies that help inform her playing and teaching.
Hsin-Yun has written an article about the parallels between Chinese calligraphy and string playing, which features in our August 2021 issue. Read it here: https://bit.ly/3BMckep
Check out thestrad.com for all the latest news and discussion on all things to do with string playing. Why not register and subscribe to access exclusive archival content from 2010 onwards?
Right now we're offering a 50% off our online subscription for students! Check it out here: https://bit.ly/3eQ75AB
Find us on social media:
Facebook.com/thestrad
Twitter: @TheStradMag
Instagram: @the_strad_
Photo credit: Raymond Huang

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