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Caius and Sir Guy (Detroit; he/they) unpack the personal and political layers of Sir Guy’s entertaining (and educational) musical homage to the clitoris, set to an early Dorian Electra single. They talk kinging in flannel, Dolly Parton, lesbian visibility, and the responsibilities kings hold in the performer-audience relationship.
Content warnings: detailed discussion of lesbophobia and caraccident-related injuries. References to genital anatomy and historicalmisogyny.
Special thanks to Maine(void), Homer E. Rodick, and RonnieWrath!
Did you love it? Did you hate it? Do you want to give a dragking a piece of your mind?
Instagram: @kingsontheaux
Email: [email protected]
Series logo by @twistedtransitioner on Instagram
Opening music & credits: “Sensitive” by gurdonark feat. Ondrej Rosik
Available at ccMixter.org http://dig.ccmixter.org/files/gurdonark/35631
Under CC BY license https://creativecommons.org/licenses/by/4.0/
By Caius CrowCaius and Sir Guy (Detroit; he/they) unpack the personal and political layers of Sir Guy’s entertaining (and educational) musical homage to the clitoris, set to an early Dorian Electra single. They talk kinging in flannel, Dolly Parton, lesbian visibility, and the responsibilities kings hold in the performer-audience relationship.
Content warnings: detailed discussion of lesbophobia and caraccident-related injuries. References to genital anatomy and historicalmisogyny.
Special thanks to Maine(void), Homer E. Rodick, and RonnieWrath!
Did you love it? Did you hate it? Do you want to give a dragking a piece of your mind?
Instagram: @kingsontheaux
Email: [email protected]
Series logo by @twistedtransitioner on Instagram
Opening music & credits: “Sensitive” by gurdonark feat. Ondrej Rosik
Available at ccMixter.org http://dig.ccmixter.org/files/gurdonark/35631
Under CC BY license https://creativecommons.org/licenses/by/4.0/