In the first of two episodes focusing on Norwegian cinema, Stephen looks at two films that use polarising cinematic techniques. He starts by looking at Erik Poppe’s continuous single take immersive telling of one of the worst domestic terror incidents of all time in Utøya: July 22, and then lightens the tone with André Øvredal’s fun Found Footage Mockumentary Troll Hunter

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I've set this one as Explicit, partly because I do use one naughty word, but also because the subject matter of Utøya: July 22 could be a little upsetting