NOTICE! Due to space limitations, this episode of Progtopia has been relocated to the Archival Episodes page of www.progtopia.com. Please visit the website to listen to the full program. Thank you!

You could call them a jam band, you could call them instrumental prog, but whatever you do, don't called them commercial. California's Djam Karet has been creating their own brand of self-described "self-indulgent" music for over three decades, but a devoted following has managed to find them, anyway. Maybe that's because their excursions into improvised territory don't meander and wander in directions that nobody else can follow. Their approach comes off as focused and highly musical, as evidenced on almost 20 albums including their newest, Sonic Celluloid. Host Mark Ashby talked with founder and multi-instrumentalist Gayle Ellett about why they've never even thought about satisfying anyone but themselves when composing and recording, what allows them to have stayed together for so long, and whether or not he feels they have anything in common with bands like the Grateful Dead or Phish. They're on the web at www.djamkaret.com.

Featured songs/excerpts:

"Long Shot"

"The Denouement Device"

"Web of Medea"

"Saul Says So"

"Forced Perspective"

"Lower"

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