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*Note: Please excuse the few seconds that got clipped in the beginning, we're adjusting to our new recording software, Zencaster, thanks for understanding!
Today we have no guest! Which, feels a little weird. It's just Christian, Josh and Jason this week.
In this episode, we talk about the announcement on social media of the TGWWF distribution deal, as well as the release announcement strategy and the people behind the announcement plan.
We discuss recent viewership of the film, including how it was received during the free screening weekend (through the Normandie-WWII and Thin Line Film Festivals) by the French people, and in 26 other countries. We talk through the importance of story and film criticism.
Christian gives her thoughts about how to hook your audience, what 'The Chosen' gets right, and we discuss grabbing your audience using what they can easily relate to and by the their emotions and compelling them to support your project.
We talk through distribution plans, participating in the marketing for The Girl Who Wore Freedom, and being an active participant in helping the film make money.
After that, we go back to deliverables!
4.8
3131 ratings
*Note: Please excuse the few seconds that got clipped in the beginning, we're adjusting to our new recording software, Zencaster, thanks for understanding!
Today we have no guest! Which, feels a little weird. It's just Christian, Josh and Jason this week.
In this episode, we talk about the announcement on social media of the TGWWF distribution deal, as well as the release announcement strategy and the people behind the announcement plan.
We discuss recent viewership of the film, including how it was received during the free screening weekend (through the Normandie-WWII and Thin Line Film Festivals) by the French people, and in 26 other countries. We talk through the importance of story and film criticism.
Christian gives her thoughts about how to hook your audience, what 'The Chosen' gets right, and we discuss grabbing your audience using what they can easily relate to and by the their emotions and compelling them to support your project.
We talk through distribution plans, participating in the marketing for The Girl Who Wore Freedom, and being an active participant in helping the film make money.
After that, we go back to deliverables!
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