Content warning: Pubes.

So much of Béla Tarr’s DAMNATION punishes. It tries to convince its characters (a crushed singer, her husband, her drug-running boyfriend, the hellish bartender at the point of their intersection) that words aren’t worth speaking, that any distance is too far to cross, and that what change you do make to the world will be undone by someone close to you. But in between particularly long long takes, the way it frames communist Hungary is a rebuke of that: words being spoken, people moving together, love being won and lost.

3:29 - We start talking about the movie

8:50 - Jason’s thoughts

10:24 - Cody’s thoughts

13:26 - Harry’s thoughts

17:46 - Aaron’s thoughts

27:14 - Existentialism in DAMNATION

35:25 - The contrast between high scripting and low characters

40:31 - The effect of languid long takes

51:21 - The performances of DAMNATION

56:54 - Focusing on visual textures in a grimy world

1:03:43 - PubeGate

1:07:42 - Cody’s Noteys (Hungary Dungarees)

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Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Kész az egész (Over and Done)” composed Mihály Víg and performed by Vali Kerekes from the DAMNATION soundtrack.