
Sign up to save your podcasts
Or


Soft, soothing, and understated as a rule, ambient music may seem the least weird of all musical genres. Not so, say JF and Phil, who devote this episode to Brian Eno's Ambient 1: Music for Airports, the 1978 album in whose liner notes the term "ambient music" first appeared. In this conversation, your hosts explore the aesthetic, metaphysical, and political implications of a kind of music designed to interact with the listener -- and the listener's environment -- below the threshold of ordinary, directed awareness. Eno and Peter Schmidt's famous Oblique Strategies, a deck of cards designed to heighten and deepen creativity, lends divinatory support to the endeavor.
Support us on Patreon
REFERENCES
Brian Eno, Ambient 1: Music for Airports
Learn more about your ad choices. Visit megaphone.fm/adchoices
By SpectreVision Radio4.8
586586 ratings
Soft, soothing, and understated as a rule, ambient music may seem the least weird of all musical genres. Not so, say JF and Phil, who devote this episode to Brian Eno's Ambient 1: Music for Airports, the 1978 album in whose liner notes the term "ambient music" first appeared. In this conversation, your hosts explore the aesthetic, metaphysical, and political implications of a kind of music designed to interact with the listener -- and the listener's environment -- below the threshold of ordinary, directed awareness. Eno and Peter Schmidt's famous Oblique Strategies, a deck of cards designed to heighten and deepen creativity, lends divinatory support to the endeavor.
Support us on Patreon
REFERENCES
Brian Eno, Ambient 1: Music for Airports
Learn more about your ad choices. Visit megaphone.fm/adchoices

580 Listeners

2,681 Listeners

762 Listeners

1,291 Listeners

344 Listeners

379 Listeners

398 Listeners

584 Listeners

1,665 Listeners

356 Listeners

1,047 Listeners

377 Listeners

205 Listeners

287 Listeners

307 Listeners