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Today’s guest is Steph Richards. Editing this episode in the wake of the New York Philharmonic’s news, seemed serendipitous. During this pandemic we have all been scrambling to find a way forward, and most artists have been lost in this effort, because they have not been accustomed to swimming in the waters of change and hunger for far too long. This is obviously not the case with artists like Stephanie Richards, whose latest project, Supersense, is awe inspiring. Steph is NOT going to be caught in the wave of extinction facing many artists in the coming years.
Conversations like the one you are about to hear matter, it’s time to understand that the people we are propping up in this fetishistic madness, are those stuck in the structures that led to a catastrophe which Covid has only accelerated: boring programming, poor audience relations, unsound financial practices, and exorbitant salaries for administrators, music directors, and concertmasters. For those out there listening who are starting their careers, or who still have ambition, it’s time to think more deeply about what it means to be an artist, and take your destiny into your own hands…the institutions won’t be here for you. But for now, if Mark Swed’s list constitutes the heroes of the industry…count me out, and sign me up a ticket to the first Steph Richards or Dan Rosenboom show at the earliest convenience.
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Today’s guest is Steph Richards. Editing this episode in the wake of the New York Philharmonic’s news, seemed serendipitous. During this pandemic we have all been scrambling to find a way forward, and most artists have been lost in this effort, because they have not been accustomed to swimming in the waters of change and hunger for far too long. This is obviously not the case with artists like Stephanie Richards, whose latest project, Supersense, is awe inspiring. Steph is NOT going to be caught in the wave of extinction facing many artists in the coming years.
Conversations like the one you are about to hear matter, it’s time to understand that the people we are propping up in this fetishistic madness, are those stuck in the structures that led to a catastrophe which Covid has only accelerated: boring programming, poor audience relations, unsound financial practices, and exorbitant salaries for administrators, music directors, and concertmasters. For those out there listening who are starting their careers, or who still have ambition, it’s time to think more deeply about what it means to be an artist, and take your destiny into your own hands…the institutions won’t be here for you. But for now, if Mark Swed’s list constitutes the heroes of the industry…count me out, and sign me up a ticket to the first Steph Richards or Dan Rosenboom show at the earliest convenience.