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Episode 120 - Michele Soavi
StageFright (1987), The Church (1989), and Dellamorte Dellamore (1994)
Most horror fans are at least familiar with the Italian horror tradition, even if they aren't deeply immersed in it. Directors like Mario Bava, Lucio Fulci, Dario Argento, and Joe D'Amato helped define one of the most prolific and influential horror movements in cinema history, producing a remarkable run of classic films over more than three decades.
By the mid-1990s, however, that wave had largely collapsed. Yet, in the final stretch of that "era of terror," horror fans were given something special: four films from a young director named Michele Soavi.
Soavi's path into directing was a gradual ascent through the industry. He began as an actor, which got him onto sets, then worked his way up through roles as a crew member and assistant director before eventually stepping behind the camera himself. Along the way, he trained under filmmakers like Joe D'Amato, Lucio Fulci, Lamberto Bava, and Dario Argento, experiences that helped him develop a distinctive voice of his own.
In this episode, we're covering three of those four films, more than enough to make the case for seeking them out if you've never seen them, or revisiting them if it's been a while. Because sometimes, it's easy to forget just how damn good they really are.
Films mentioned in this episode:
Absurd (1981), Amok Train aka Beyond the Door III (1989), Body Count (1986), Children Shouldn't Play with Dead Things (1972), The Church (1989), City of the Living Dead (1980), Dario Argento's World of Horror (1985), Dellamorte Dellamore (1994), Demons (1985), Fatal Frames (1996), Ghosthouse (1988), I, Vampir (1957), Nightbreed (1990), Opera (1987), The Sect (1991), StageFright (1987), Suspiria (1977), Tombs of the Blind Dead (1972), Zombi 3 (1988), Zombie 5: Killing Birds (1988)
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By Jon Kitley, Damien Glonek, Aaron AuBuchonStageFright (1987), The Church (1989), and Dellamorte Dellamore (1994)
Most horror fans are at least familiar with the Italian horror tradition, even if they aren't deeply immersed in it. Directors like Mario Bava, Lucio Fulci, Dario Argento, and Joe D'Amato helped define one of the most prolific and influential horror movements in cinema history, producing a remarkable run of classic films over more than three decades.
By the mid-1990s, however, that wave had largely collapsed. Yet, in the final stretch of that "era of terror," horror fans were given something special: four films from a young director named Michele Soavi.
Soavi's path into directing was a gradual ascent through the industry. He began as an actor, which got him onto sets, then worked his way up through roles as a crew member and assistant director before eventually stepping behind the camera himself. Along the way, he trained under filmmakers like Joe D'Amato, Lucio Fulci, Lamberto Bava, and Dario Argento, experiences that helped him develop a distinctive voice of his own.
In this episode, we're covering three of those four films, more than enough to make the case for seeking them out if you've never seen them, or revisiting them if it's been a while. Because sometimes, it's easy to forget just how damn good they really are.
Films mentioned in this episode:
Absurd (1981), Amok Train aka Beyond the Door III (1989), Body Count (1986), Children Shouldn't Play with Dead Things (1972), The Church (1989), City of the Living Dead (1980), Dario Argento's World of Horror (1985), Dellamorte Dellamore (1994), Demons (1985), Fatal Frames (1996), Ghosthouse (1988), I, Vampir (1957), Nightbreed (1990), Opera (1987), The Sect (1991), StageFright (1987), Suspiria (1977), Tombs of the Blind Dead (1972), Zombi 3 (1988), Zombie 5: Killing Birds (1988)