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Episode 139 with Felicia Taylor E., Renaissance Woman, Creator, Storymaker, Raconteur, Poet, and Writer of Southern Spiced: A Brown Girl’s Tale
Episode 139 Notes and Links to Felicia Taylor’s Work
On Episode 139 of The Chills at Will Podcast, Pete welcomes Felicia Taylor, and the two discuss, among other topics, the ways in which memory and her childhood and her family histories have informed her work, her creative process, living a creative life as poet, playwright, actor, etc., and themes and thought processes manifested in her standout poetry collection.
Felicia Taylor E is a writer, poet, storyteller, performer and arts educator, along with being a "gently nudging" wife to her hubby and a fun "trying to stick to a schedule" mom for her son. She has been writing since elementary school and has kept a diary or a journal since the 5th grade. Southern Spiced: A Brown Girl's Tale is her first book.
Felicia Taylor's Website
Buy Southern Spiced: A Brown Girl's Tale
Felicia performs “Echoes in my Spirit”
At about 1:45, Felicia describes her childhood, mainly spent in Denton, Texas, and her relationship with language, reading, and “oral preservation of history”
At about 4:30, Felicia details some of her favorite books and writers growing up, including the great Maya Angelou and Langston Hughes
At about 6:25, Pete and Felicia meditate on the beauty and strength of Maya Angelou’s work, including her piece from Bill Clinton’s inauguration; thanks to Professor Winston for her contribution to Felicia’s reading!
At about 8:00, Felicia discusses the reading of varied genres that she read in college and beyond, including Stephen King (Pete shares a favorite piece of his from King) and Alice Walker
At about 11:30, the two discuss Langston Hughes’ impact on them
At about 12:45, Felicia discusses her creative history and impulses including her mindset in creating her short film and then elaborates on films’ advantages versus books’ advantages
At about 17:35, Felicia responds to Pete’s questions about “muses” and how she accentuates her creativity, especially the power of memory (19:05)
At about 19:50, Felicia answers Pete’s questions about what it is like to write about intimate relationships in her life
At about 22:00, Felicia expands upon some real-life and profound connections to particular poems in her collection, including to the staggeringly-upsetting case of Timothy Cole
At about 24:50, Pete and Felicia cite the four distinct parts of the novel and discuss the reasoning behind her many “dedications” in the book; she cites “Freedom Tree” as an especially powerful example of work “echoing in her head”
At about 26:40, Pete and Felicia ruminate on the importance of Sesame Street as they discuss the collection’s first poem
At about 27:45, Pete wonders about Felicia’s mindset in writing about racism and hate in conjunction with the beauty of innocence
At about 29:45, Pete highlights the carefree, breezy language that is childlike yet profound
At about 33:20, Felicia speaks to the disparate experiences expressed in back-to-back poems that involve her hair
At about 38:20, Felicia details the event and the feelings and fears associated with a childhood encounter with the KKK that compelled Felicia to write about it
At about 43:20, Pete and Felicia reflect on Part II and its highlighting of Soul Train and beautiful times with family
At about 46:20, Part III and its historical connections are highlighted, in addition to a “heart wrenching” quote from Timothy Cole
At about 49:10, the two explore “White Lies, Part I” and its focus on dementia and a reversal of roles
At about 51:35, Ideas of absurdist and dark humor are discussed in connection to “A Dignified Death, Please”
At about 54:10, Pete makes a Sopranos’ reference (evergreen statement??)
At about 54:45, Felicia reads “Red Lips”
At about 56:10, ---silence---as Pete makes a 112 reference
At about 56:40, Felicia outlines some contact info and provides contact/social media info
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 140 with Oscar Hokeah, who is a regionalist Native American writer of literary fiction, interested in capturing intertribal, transnational, and multicultural aspects within two tribally specific communities: Tahlequah and Lawton, Oklahoma. In addition, author of the recent standout novel, Calling for a Blanket Dance.
The episode will air on August 30.
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Episode 139 Notes and Links to Felicia Taylor’s Work
On Episode 139 of The Chills at Will Podcast, Pete welcomes Felicia Taylor, and the two discuss, among other topics, the ways in which memory and her childhood and her family histories have informed her work, her creative process, living a creative life as poet, playwright, actor, etc., and themes and thought processes manifested in her standout poetry collection.
Felicia Taylor E is a writer, poet, storyteller, performer and arts educator, along with being a "gently nudging" wife to her hubby and a fun "trying to stick to a schedule" mom for her son. She has been writing since elementary school and has kept a diary or a journal since the 5th grade. Southern Spiced: A Brown Girl's Tale is her first book.
Felicia Taylor's Website
Buy Southern Spiced: A Brown Girl's Tale
Felicia performs “Echoes in my Spirit”
At about 1:45, Felicia describes her childhood, mainly spent in Denton, Texas, and her relationship with language, reading, and “oral preservation of history”
At about 4:30, Felicia details some of her favorite books and writers growing up, including the great Maya Angelou and Langston Hughes
At about 6:25, Pete and Felicia meditate on the beauty and strength of Maya Angelou’s work, including her piece from Bill Clinton’s inauguration; thanks to Professor Winston for her contribution to Felicia’s reading!
At about 8:00, Felicia discusses the reading of varied genres that she read in college and beyond, including Stephen King (Pete shares a favorite piece of his from King) and Alice Walker
At about 11:30, the two discuss Langston Hughes’ impact on them
At about 12:45, Felicia discusses her creative history and impulses including her mindset in creating her short film and then elaborates on films’ advantages versus books’ advantages
At about 17:35, Felicia responds to Pete’s questions about “muses” and how she accentuates her creativity, especially the power of memory (19:05)
At about 19:50, Felicia answers Pete’s questions about what it is like to write about intimate relationships in her life
At about 22:00, Felicia expands upon some real-life and profound connections to particular poems in her collection, including to the staggeringly-upsetting case of Timothy Cole
At about 24:50, Pete and Felicia cite the four distinct parts of the novel and discuss the reasoning behind her many “dedications” in the book; she cites “Freedom Tree” as an especially powerful example of work “echoing in her head”
At about 26:40, Pete and Felicia ruminate on the importance of Sesame Street as they discuss the collection’s first poem
At about 27:45, Pete wonders about Felicia’s mindset in writing about racism and hate in conjunction with the beauty of innocence
At about 29:45, Pete highlights the carefree, breezy language that is childlike yet profound
At about 33:20, Felicia speaks to the disparate experiences expressed in back-to-back poems that involve her hair
At about 38:20, Felicia details the event and the feelings and fears associated with a childhood encounter with the KKK that compelled Felicia to write about it
At about 43:20, Pete and Felicia reflect on Part II and its highlighting of Soul Train and beautiful times with family
At about 46:20, Part III and its historical connections are highlighted, in addition to a “heart wrenching” quote from Timothy Cole
At about 49:10, the two explore “White Lies, Part I” and its focus on dementia and a reversal of roles
At about 51:35, Ideas of absurdist and dark humor are discussed in connection to “A Dignified Death, Please”
At about 54:10, Pete makes a Sopranos’ reference (evergreen statement??)
At about 54:45, Felicia reads “Red Lips”
At about 56:10, ---silence---as Pete makes a 112 reference
At about 56:40, Felicia outlines some contact info and provides contact/social media info
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 140 with Oscar Hokeah, who is a regionalist Native American writer of literary fiction, interested in capturing intertribal, transnational, and multicultural aspects within two tribally specific communities: Tahlequah and Lawton, Oklahoma. In addition, author of the recent standout novel, Calling for a Blanket Dance.
The episode will air on August 30.
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