The second part of my chat with Amit Chaudhuri began with a discussion of his literary inheritance - that combined Philip Larkin with Tagore.
----more----From there we headed towards Bengali culture and onwards to:
- Ideas of 'ownership' of culture - Bengali and English
English conceptions of India and 'Asia'class in India and Englandfinding your voice as a writerdiscovering that your subject is 'the rhythms of the everyday' 'What you see on the street, from a window, a balcony...Maybe even the toilet and the bath as private spaces where you achieve certain kind of movements...'the influence of Ulysses - for and againsta Portrait of Chaudhuri of a Young (Tolstory and Joyce) Reader'I suddenly realised that Tolstoy's way was not going to be my way'reading, writing and daydreaminglooking, place and translation - Dublin and Calcuttafalling love with DH Lawrence - 'the everyday was always being transformed'the problems of plotmemoir v autobiographical fiction'I am not in any conventional way interested in autobiography'stories and repetition further thoughts on Joyce and the 'joy in the provisional'writing as an act of memorialisation 'For me, more alive means all the inconsequential, random things that make up our lives'Homer - Odysseus meets his sonwas writing Odysseus Abroad cathartic in any wayChaudhuri as musicianAnd with that, pretty much, Chaudhuri's taxi arrived. For James Wood's review in The New Yorker, click here.