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"The Girl with the Failed February Franchises" concludes with our look at 2018's The Girl in the Spider's Web. Even though the previous film hadn't made as much as Sony had hoped for, it still earned Rooney Mara an Oscar nomination, received critical acclaim, and the entire creative team was down to return for more. So, of course the thing to do is...ignore all that and instead hire a new director and cast to jump ahead to the fourth book (the first not written by series creator Stieg Larsson) and try to reboot the franchise with a much smaller budget. How did that work out for them? Well, we're covering it here, so, you know. Still, we're here to give it a fair shot, discussing whether horror director Fede Alvarez was the right choice to replace Fincher, if Claire Foy is a worthy Lisbeth Salander, and if the movie's global-stakes espionage thriller vibes truly feels appropriate for the overall franchise and character.
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By Trev & Chris4.7
2424 ratings
"The Girl with the Failed February Franchises" concludes with our look at 2018's The Girl in the Spider's Web. Even though the previous film hadn't made as much as Sony had hoped for, it still earned Rooney Mara an Oscar nomination, received critical acclaim, and the entire creative team was down to return for more. So, of course the thing to do is...ignore all that and instead hire a new director and cast to jump ahead to the fourth book (the first not written by series creator Stieg Larsson) and try to reboot the franchise with a much smaller budget. How did that work out for them? Well, we're covering it here, so, you know. Still, we're here to give it a fair shot, discussing whether horror director Fede Alvarez was the right choice to replace Fincher, if Claire Foy is a worthy Lisbeth Salander, and if the movie's global-stakes espionage thriller vibes truly feels appropriate for the overall franchise and character.
Our Twitter
Our Facebook
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Our YouTube
Trev's Letterboxd
Chris' Letterboxd

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