Ashley joins me to gush about our favorite Wes Anderson film. We discuss the use of color and models, unique and inventive camera movement, the benefits of the anthology format within a wider framing story, and the indulgent fantasy of having a boss like Bill Murray.

Music Credits:
”Simone, Naked, Cell Block-J Hobby Room” by Alexandre Desplat (from The French Dispatch Original Score)
”Obituary” by Alexandre Desplat (from The French Dispatch Original Score)