Romance means double the emotional arcs, double the stakes, and plenty of opportunities for hijinks. So: how information-dense should your query be? Can our beloved  cause-and-effect language ever lead you astray? How can you balance external plot, internal arcs, and, you know, that big ol’ relationship that’s at the literal heart of your book?

Download a copy of this week’s critiques

Listen Now

Music by Lee Rosevere via Free Music Archive