Anne Midgette resigned as classical music critic for the Washington Post a few months ago, but she is well placed to discuss the dangers facing live performances of classical music in The After. And she tells us about the historical novel she's writing about the woman who built pianos for Beethoven.

Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks!

Support The Next Track.

Guest:

Show notes:

Our next tracks:

If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast.

Special Guest: Anne Midgette.

Support The Next Track