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One of the most cathartic genres (when done correctly) is easily the vigilante film. But what separates vigilante justice from simple revenge? How are female vigilantes different from male vigilantes? And how does the constantly shifting opinion on law enforcement inform the morals surrounding these high-octane action adventures? We do our best to answer these questions and more when we discuss Rolling Thunder (1977), Promising Young Woman (2020), The Dark Knight (2008), Miss Meadows (2014), and many more.
Spoiled in this episode: Miss Meadows
Email us at [email protected], and/or follow us on social media @theobveeus and @caitlinstow
By Joey Bauer and Caitlin StowOne of the most cathartic genres (when done correctly) is easily the vigilante film. But what separates vigilante justice from simple revenge? How are female vigilantes different from male vigilantes? And how does the constantly shifting opinion on law enforcement inform the morals surrounding these high-octane action adventures? We do our best to answer these questions and more when we discuss Rolling Thunder (1977), Promising Young Woman (2020), The Dark Knight (2008), Miss Meadows (2014), and many more.
Spoiled in this episode: Miss Meadows
Email us at [email protected], and/or follow us on social media @theobveeus and @caitlinstow