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Episode 2 : Digital November
This episode of our podcast "Waves from Bahrain" is dedicated to our Digital November programmation.
This episode features an original and exclusive work by the Bahraini artist Kayan Music, followed by an interview with the French artist Kaspar Ravel.
Novembre Numérique (Digital November) is an invitation to question the place of digital cultures in our societies, to increase the awareness of the general public to the new uses of digital technologies, while discovering the richness and diversity of digital creations, from media art to new forms of digital narratives, from immersive theater to interactive music, etc.
It underlines the commitment of the Institut français and the Alliance Française Bahrain to facilitating the general public’s access to new technologies, to showcasing the strong diversity of French creations, to building long-lasting partnerships with Bahrain professionals and to enabling international collaborations between artists, professionals and the audience
Kayan is a DJ, producer and musician.
Her life experiences are compiled into the productions and performances that she creates today.
Every Kayan's live performance is different, unique and original as she blends organic grooves, soundscapes, beats,remixes, tracks, with a wide variety of samples combined with heavy basslines that spontaneously activate the dance floor.
Kayan is a sonic journey that interweaves human emotion and through sounds and mixed media, composing and performing live with layers of sparking electronic music creating hypnotic melodies and harmonies that resonate with the crowd.
Kaspar Ravel
He is a new media artist off and online curator. Coming from the subcultures of art the internet, he studies computer science and theatre at Sorbonne universities to explore the surreal poetic politics of data today.
As a DIY hacker, he navigates through technological innovations in order to dissect, understand and alter current standards. The aim being to reappropriate them as spaces of practice expérimentale and integrate alternative ideologies into them. Often working on analogies between physical and digital bodies, it establishes popular languages aimed at demystifying technology - questioning interface concepts - and exposing virtual realities co-existing with the world we live in.
Enjoy
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By AF BahrainThis episode of our podcast "Waves from Bahrain" is dedicated to our Digital November programmation.
This episode features an original and exclusive work by the Bahraini artist Kayan Music, followed by an interview with the French artist Kaspar Ravel.
Novembre Numérique (Digital November) is an invitation to question the place of digital cultures in our societies, to increase the awareness of the general public to the new uses of digital technologies, while discovering the richness and diversity of digital creations, from media art to new forms of digital narratives, from immersive theater to interactive music, etc.
It underlines the commitment of the Institut français and the Alliance Française Bahrain to facilitating the general public’s access to new technologies, to showcasing the strong diversity of French creations, to building long-lasting partnerships with Bahrain professionals and to enabling international collaborations between artists, professionals and the audience
Kayan is a DJ, producer and musician.
Her life experiences are compiled into the productions and performances that she creates today.
Every Kayan's live performance is different, unique and original as she blends organic grooves, soundscapes, beats,remixes, tracks, with a wide variety of samples combined with heavy basslines that spontaneously activate the dance floor.
Kayan is a sonic journey that interweaves human emotion and through sounds and mixed media, composing and performing live with layers of sparking electronic music creating hypnotic melodies and harmonies that resonate with the crowd.
Kaspar Ravel
He is a new media artist off and online curator. Coming from the subcultures of art the internet, he studies computer science and theatre at Sorbonne universities to explore the surreal poetic politics of data today.
As a DIY hacker, he navigates through technological innovations in order to dissect, understand and alter current standards. The aim being to reappropriate them as spaces of practice expérimentale and integrate alternative ideologies into them. Often working on analogies between physical and digital bodies, it establishes popular languages aimed at demystifying technology - questioning interface concepts - and exposing virtual realities co-existing with the world we live in.
Enjoy