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Roman has a conversation with Tigran from My Forever Media about differences in recording styles in the Armenian Wedding industry, and the innovations and introduction of new looks and styles to the market he’s helped bring in. (6:58) Working from home, coming up with new ideas, and new projects to work on while not being able to leave the house. Working with couples during this time of uncertainty to make their postponed weddings better than they imagined. Then we talk about (18:52) Once Upon a Time in Hollywood, 1917, how CGI ruined the Irishman, and a (28:33) passion project Tigran is outlining about growing up in post Soviet Armenia in the mid 90’s. We also discuss The Armenian community coming together to support The Promise on Netflix. (35:15) Tigran defends his love for Entourage and explains why he’s watching it for the 20th time. (43:53) We end it by talking about Uncut Gems and Funny People with Leslie Mann, Seth Rogan and Adam Sandler, and the hesitation in renting and buying videos on streaming services when they’re not available on Netflix.
By Menk5
1313 ratings
Roman has a conversation with Tigran from My Forever Media about differences in recording styles in the Armenian Wedding industry, and the innovations and introduction of new looks and styles to the market he’s helped bring in. (6:58) Working from home, coming up with new ideas, and new projects to work on while not being able to leave the house. Working with couples during this time of uncertainty to make their postponed weddings better than they imagined. Then we talk about (18:52) Once Upon a Time in Hollywood, 1917, how CGI ruined the Irishman, and a (28:33) passion project Tigran is outlining about growing up in post Soviet Armenia in the mid 90’s. We also discuss The Armenian community coming together to support The Promise on Netflix. (35:15) Tigran defends his love for Entourage and explains why he’s watching it for the 20th time. (43:53) We end it by talking about Uncut Gems and Funny People with Leslie Mann, Seth Rogan and Adam Sandler, and the hesitation in renting and buying videos on streaming services when they’re not available on Netflix.