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Workshops serve many purposes for artists, including learning new skills and information, connecting with other artists, and receiving feedback and critique. A workshop with the right instructor at the right time can provide an important breakthrough for your work. But attending a workshop can also be challenging on a personal level, involving travel, a commitment of time and money, and working in a group environment. And not all workshops are well organized or worthwhile. Today we will be talking about workshops from the perspective of artists who have taken them--what was gained, and what difficulties were encountered.
Taking a workshop is a big commitment of time and expense, so a basic question in deciding to take a workshop is to consider your reasons and motivation and if they are strong enough to take that leap. A desire for growth, development, and improving your work are all essential. Without these, you probably won't get enough out of the experience to be worthwhile. The opportunity for focused studio time or the desire to learn something very specific or work with a particular instructor also factor in.
With the range of options for workshops available, it can be hard to decide what to take, or if you want to take one at all. Important factors to consider range from finding a competent and inspiring instructor to deciding how much travel and expense you can afford. Venues can be anything from a crowded private studio to a purpose-built, fully equipped classroom.
Many artists report things like a shift in perspective, a new confidence, excitement, insights, new ideas, or even bigger changes after a workshop. These are all the reasons to take workshops and are more likely to happen if you are careful about your choice, research the instructor and the venue, and at the same time go into with a flexible attitude, you cannot know or control all the variables when participating in a group activity. There are an incredible number of variables in workshop world. But overall, the number of artists who take at least one workshop a year speaks to the overall positive aspects of this type of learning,
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
www.messystudiopodcast.com/blick
Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing [email protected]. A dedicated Espacio website is coming soon!
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
4.7
101101 ratings
Workshops serve many purposes for artists, including learning new skills and information, connecting with other artists, and receiving feedback and critique. A workshop with the right instructor at the right time can provide an important breakthrough for your work. But attending a workshop can also be challenging on a personal level, involving travel, a commitment of time and money, and working in a group environment. And not all workshops are well organized or worthwhile. Today we will be talking about workshops from the perspective of artists who have taken them--what was gained, and what difficulties were encountered.
Taking a workshop is a big commitment of time and expense, so a basic question in deciding to take a workshop is to consider your reasons and motivation and if they are strong enough to take that leap. A desire for growth, development, and improving your work are all essential. Without these, you probably won't get enough out of the experience to be worthwhile. The opportunity for focused studio time or the desire to learn something very specific or work with a particular instructor also factor in.
With the range of options for workshops available, it can be hard to decide what to take, or if you want to take one at all. Important factors to consider range from finding a competent and inspiring instructor to deciding how much travel and expense you can afford. Venues can be anything from a crowded private studio to a purpose-built, fully equipped classroom.
Many artists report things like a shift in perspective, a new confidence, excitement, insights, new ideas, or even bigger changes after a workshop. These are all the reasons to take workshops and are more likely to happen if you are careful about your choice, research the instructor and the venue, and at the same time go into with a flexible attitude, you cannot know or control all the variables when participating in a group activity. There are an incredible number of variables in workshop world. But overall, the number of artists who take at least one workshop a year speaks to the overall positive aspects of this type of learning,
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
www.messystudiopodcast.com/blick
Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing [email protected]. A dedicated Espacio website is coming soon!
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
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