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As a cinematographer, Cristina Dunlap’s passion is fueled by the belief that people can be brought together by a shared visual experience, so she finds a way to visually translate someone's inner most thoughts and feelings to an audience through movement, lighting, and color.
American Fiction is her most recent film project, about a man dealing with the internal challenges of not being able to relate to people, of feeling society’s pressures telling him how a Black person is supposed to act, and family drama – sibling rivalry, an aging parent, the past and the present butting up against each other all the time. Shot in 26 days, it spoke to Director Cord Jefferson and the crew, as it is both a trenchant satire and a poignant story of a family and a man at a crossroads.
By Allyson L. PorteeAs a cinematographer, Cristina Dunlap’s passion is fueled by the belief that people can be brought together by a shared visual experience, so she finds a way to visually translate someone's inner most thoughts and feelings to an audience through movement, lighting, and color.
American Fiction is her most recent film project, about a man dealing with the internal challenges of not being able to relate to people, of feeling society’s pressures telling him how a Black person is supposed to act, and family drama – sibling rivalry, an aging parent, the past and the present butting up against each other all the time. Shot in 26 days, it spoke to Director Cord Jefferson and the crew, as it is both a trenchant satire and a poignant story of a family and a man at a crossroads.