Most film critics that write today regularly are essentially publicists for Hollywood films. Their criticism is intermingled with this form of entertainment journalism that really has nothing to do with criticism. So a lot of times when you read a film review now, in addition to getting a lot of plot description—which I don’t think is really necessary in film criticism anymore, because everybody knows everything about films before they come out now because of the internet—you get a lot of histories of the people who are in the films or made the films.