In the early 90s the C64 gaming market started to dry up as most developers had moved on to 16 bit computers and consoles. This gap was partially filled by a number of disk magazines, like those issued by German publisher CP Verlag. And while the games on these disks were usually nothing to write home about; their soundtracks, often created by people from the demo scene, were a last hurrah for game music on the C64. Continue reading →