Show Notes and Links to Porochista Khanpour's Work
For Episode 258, Pete welcomes Porochista Khakpour, and the two discuss, among other topics, her harrowing departure from Iran to the US at a young age, her voracious reading and writing and storytelling, amazing life experiences that have fed her writing, her love of contemporary stan culture and KPop, how her latest book’s release is different, seeds for Tehrangeles, modern wellness and conspiracy theory cultures, her experiences with the real Tehrangeles, the role of the outsider as a writer, and so much about themes and topics related to her novel, like celebrity worship, assimilation, cancel culture, and racism.
Porochista Khakpour was born in Tehran and raised in the greater Los Angeles area. She is the critically acclaimed author of two previous novels, Sons and Other Flammable Objects and The Last Illusion; a memoir, Sick; and a collection of essays, Brown Album. Her writing has appeared in The New York Times, The Washington Post, the Los Angeles Times, The Wall Street Journal, Bookforum, Elle, and many other publications. Her latest book is Tehrangeles. She lives in New York City.
Buy Tehrangeles
Porochista’s Official Website
Porochista’s Wikipedia Page
“Writing Iranian America…”-2020 Interview from Columbia Journal
At about 1:45: Pete gets the wrong vegetable in remembering his first exposure to Porochista’s excellent work
At about 2:45, Porochista talks about the year in publishing and the ways in which this year’s tragedies have been in juxtaposition to careful and affectionate feedback for her novel
At about 7:30, Porochista and Pete discuss some politicians’ cowardice and Porochsta’s book as a “weird distraction”
At about 10:20, Pete asks Porochista about writing satire in an increasingly off-its-hinges world
At about 13:20, Porochista talks about the 1%, richest of the richest, and how “this sort of madness of wealthy people during the beginning of the pandemic”
At about 15:10, Porochsta gives background on the acquisition of her novel
At about 17:25, The two highlight Danzy Senna’s great work
At about 18:20, Porochista cites examples of “dark humor” that at times run through Persian cultures
At about 20:10, Porochista reflects on the idea of “perpetual outsiders” and the effect on writing
At about 21:40, Porochista details her family’s fleeing Iran and the traumas and memories that came with her odyssey to arriving in the US
At about 24:30, Porochista traces the way that Iran was often viewed by Americans at the time in which her family arrived in the US
At about 25:15, Porochista responds to Pete’s questions about her early reading and writing and language life, both in English and Persian
At about 31:45,
At about 32:50, Porochista talks about she’s been described as a “maximalist” and the connection to Persian as her first language
At about 34:35, Porochista talks about representation in the texts she read growing up and her early love of particular works that allowed her to learn about the Western canon in order to enjoy it and resist it
At about 37:30, Porochista charts her reading journey from Faulkner to Morrison to Sartre to the Beat Poets and describes her self-designed silent book reading “retreat”
At about 40:20, Porochista describes her reading and writing as responses to her life experiences and her identity revolving around writing
At about 41:35, Porochista describes transformative and formative texts and mentors and her time at Sarah Lawrence College and Oxford
At about 43:50, Porochista talks about the ways in which her reading was affected by how women writers are often limited, and how this connects to her seeking out adventure and life experience in living as a writer, including her going to William Faulkner Country
At about 49:45, The two make appreciations of James Joyce’s work
At about 50:55, Porochista makes a case for contemporary writing as comprising a “golden era”
At about 52:00, Pete wonders if and how Porochsta has been influenced by Bret Easton Ellis and David Foster Wallace
At about 54:45, Porochista talks about ways in which Less than Zero and American Psycho and Donna Tartt’s work have affected the sensibility of Tehrangeles and especially its ending
At about 59:15, Porochista talks about “dream” casting in case the novel becomes a movie, including Tara Yummy
At about 1:01:00, Porochista talks about the “twisted logic” found on many of the chat rooms/forums she spent time in for book research
At about 1:04:15, Porochista talks about how Louisa May Alcott’s Little Women and Alcott’s experience informed the writing of Tehrangeles
At about 1:07:55, The two discuss how Shahs of Sunset affected the novel
At about 1:10:00, Porochista explains her rationale in making the book’s reality show producers a collective
At about 1:10:45, Porochista responds to Pete’s question about the book’s epitaphs
At about 1:13:55, Porochista talks about the book’s untranslated Persian section and “progress” in people’s understanding
At about 1:15:20, Pete cites and quotes the book’s opening litany and the exposition of Book I
At about 1:16:20, Porochista describes a raucous scene where Roxana, a main character, goes through a “zodiac reassignment”
At about 1:17:50, Porochista digs into Roxana’s “Secret”
At about 1:19:10, The two lament Kanye West’s horrible recent behavior and other misogynists and abusers, in connection with the setting of the book
At about 1:22:30, The two discuss the world of influencers and their effect on younger generations in line with the characters of the book
At about 1:24:20, Pete recounts the Milani family members and their views of the
At about 1:26:00, Porochista recounts inspiration for Violet’s sweets diet from an interview with Momofuku’s Christina Tosi and Porochista’s time at Sarah Lawrence
At about 1:28:00, The two discuss Violet’s experience with a racist and demeaning model shoot that plays on her Iranian heritage
At about 1:29:30, Porochista reflects on Tehrangeles culture and its connection to religion
At about 1:30:35, Porochista discusses KPop and “stan culture” and how Mina “found her voice” through these online forums
At about 1:34:20, Porochista talks about purposely focusing on realistic and empathetic portrayals of gender identity
At about 1:38:30, The two discuss Hailey as representative of the intersections between Covid conspiracy theories and racism and “hidden” CA racism and wellness culture
At about 1:40:00, Porochista talks about her own experiences with the “dark wu wu” of the wellness cultures during her own fragile
At about 1:44:00, The two discuss Ali (Al) and his leaving Iran behind and how he seeks Americanization and how he makes his fortune
At about 1:46:15, Porochista likens events of the book, “The World of Al” to the DJ Khaled song
At about 1:48:05, The two discuss Roxana’s desire to have a blowout early Covid-era party and how the physical “wings” of the house connect to the sisters’ different growing pains and goals and ethics
At about 1:50:40, The two riff on some beautifully absurd scenes in the book, including a pet psychic’s appearance
At about 1:51:50, Porochista gives background on deciding to do untranslated Persian in the book and about Homa and the ways she doesn't want to be part of Tehrangeles; also Editor Maria Goldberg Love
At about 1:55:10, Pete asks about the rationale and background for the book’s ending using stream of consciousness
At about 1:57:15, Porochista shouts out Golden Hour Books and City of Asylum Books, and other places to buy her book, including Shawnee, Kansas’ Seven Stories, run by 17 yr old Halley Vincent
At about 1:59:45, Porochista shouts out the stellar Deep Vellum and Verso and writers like
At about 2:01:05, Porochista talks about exciting upcoming projects
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 259 with Jessica Whipple. Jessica writes for adults and children, and her poetry has been published recently in Funicular, Door Is a Jar, and many more. She has published two children's picture books in 2023: Enough Is… and I Think I Think a Lot.
The episode will air on October 29.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
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Show Notes and Links to Porochista Khanpour's Work
For Episode 258, Pete welcomes Porochista Khakpour, and the two discuss, among other topics, her harrowing departure from Iran to the US at a young age, her voracious reading and writing and storytelling, amazing life experiences that have fed her writing, her love of contemporary stan culture and KPop, how her latest book’s release is different, seeds for Tehrangeles, modern wellness and conspiracy theory cultures, her experiences with the real Tehrangeles, the role of the outsider as a writer, and so much about themes and topics related to her novel, like celebrity worship, assimilation, cancel culture, and racism.
Porochista Khakpour was born in Tehran and raised in the greater Los Angeles area. She is the critically acclaimed author of two previous novels, Sons and Other Flammable Objects and The Last Illusion; a memoir, Sick; and a collection of essays, Brown Album. Her writing has appeared in The New York Times, The Washington Post, the Los Angeles Times, The Wall Street Journal, Bookforum, Elle, and many other publications. Her latest book is Tehrangeles. She lives in New York City.
Buy Tehrangeles
Porochista’s Official Website
Porochista’s Wikipedia Page
“Writing Iranian America…”-2020 Interview from Columbia Journal
At about 1:45: Pete gets the wrong vegetable in remembering his first exposure to Porochista’s excellent work
At about 2:45, Porochista talks about the year in publishing and the ways in which this year’s tragedies have been in juxtaposition to careful and affectionate feedback for her novel
At about 7:30, Porochista and Pete discuss some politicians’ cowardice and Porochsta’s book as a “weird distraction”
At about 10:20, Pete asks Porochista about writing satire in an increasingly off-its-hinges world
At about 13:20, Porochista talks about the 1%, richest of the richest, and how “this sort of madness of wealthy people during the beginning of the pandemic”
At about 15:10, Porochsta gives background on the acquisition of her novel
At about 17:25, The two highlight Danzy Senna’s great work
At about 18:20, Porochista cites examples of “dark humor” that at times run through Persian cultures
At about 20:10, Porochista reflects on the idea of “perpetual outsiders” and the effect on writing
At about 21:40, Porochista details her family’s fleeing Iran and the traumas and memories that came with her odyssey to arriving in the US
At about 24:30, Porochista traces the way that Iran was often viewed by Americans at the time in which her family arrived in the US
At about 25:15, Porochista responds to Pete’s questions about her early reading and writing and language life, both in English and Persian
At about 31:45,
At about 32:50, Porochista talks about she’s been described as a “maximalist” and the connection to Persian as her first language
At about 34:35, Porochista talks about representation in the texts she read growing up and her early love of particular works that allowed her to learn about the Western canon in order to enjoy it and resist it
At about 37:30, Porochista charts her reading journey from Faulkner to Morrison to Sartre to the Beat Poets and describes her self-designed silent book reading “retreat”
At about 40:20, Porochista describes her reading and writing as responses to her life experiences and her identity revolving around writing
At about 41:35, Porochista describes transformative and formative texts and mentors and her time at Sarah Lawrence College and Oxford
At about 43:50, Porochista talks about the ways in which her reading was affected by how women writers are often limited, and how this connects to her seeking out adventure and life experience in living as a writer, including her going to William Faulkner Country
At about 49:45, The two make appreciations of James Joyce’s work
At about 50:55, Porochista makes a case for contemporary writing as comprising a “golden era”
At about 52:00, Pete wonders if and how Porochsta has been influenced by Bret Easton Ellis and David Foster Wallace
At about 54:45, Porochista talks about ways in which Less than Zero and American Psycho and Donna Tartt’s work have affected the sensibility of Tehrangeles and especially its ending
At about 59:15, Porochista talks about “dream” casting in case the novel becomes a movie, including Tara Yummy
At about 1:01:00, Porochista talks about the “twisted logic” found on many of the chat rooms/forums she spent time in for book research
At about 1:04:15, Porochista talks about how Louisa May Alcott’s Little Women and Alcott’s experience informed the writing of Tehrangeles
At about 1:07:55, The two discuss how Shahs of Sunset affected the novel
At about 1:10:00, Porochista explains her rationale in making the book’s reality show producers a collective
At about 1:10:45, Porochista responds to Pete’s question about the book’s epitaphs
At about 1:13:55, Porochista talks about the book’s untranslated Persian section and “progress” in people’s understanding
At about 1:15:20, Pete cites and quotes the book’s opening litany and the exposition of Book I
At about 1:16:20, Porochista describes a raucous scene where Roxana, a main character, goes through a “zodiac reassignment”
At about 1:17:50, Porochista digs into Roxana’s “Secret”
At about 1:19:10, The two lament Kanye West’s horrible recent behavior and other misogynists and abusers, in connection with the setting of the book
At about 1:22:30, The two discuss the world of influencers and their effect on younger generations in line with the characters of the book
At about 1:24:20, Pete recounts the Milani family members and their views of the
At about 1:26:00, Porochista recounts inspiration for Violet’s sweets diet from an interview with Momofuku’s Christina Tosi and Porochista’s time at Sarah Lawrence
At about 1:28:00, The two discuss Violet’s experience with a racist and demeaning model shoot that plays on her Iranian heritage
At about 1:29:30, Porochista reflects on Tehrangeles culture and its connection to religion
At about 1:30:35, Porochista discusses KPop and “stan culture” and how Mina “found her voice” through these online forums
At about 1:34:20, Porochista talks about purposely focusing on realistic and empathetic portrayals of gender identity
At about 1:38:30, The two discuss Hailey as representative of the intersections between Covid conspiracy theories and racism and “hidden” CA racism and wellness culture
At about 1:40:00, Porochista talks about her own experiences with the “dark wu wu” of the wellness cultures during her own fragile
At about 1:44:00, The two discuss Ali (Al) and his leaving Iran behind and how he seeks Americanization and how he makes his fortune
At about 1:46:15, Porochista likens events of the book, “The World of Al” to the DJ Khaled song
At about 1:48:05, The two discuss Roxana’s desire to have a blowout early Covid-era party and how the physical “wings” of the house connect to the sisters’ different growing pains and goals and ethics
At about 1:50:40, The two riff on some beautifully absurd scenes in the book, including a pet psychic’s appearance
At about 1:51:50, Porochista gives background on deciding to do untranslated Persian in the book and about Homa and the ways she doesn't want to be part of Tehrangeles; also Editor Maria Goldberg Love
At about 1:55:10, Pete asks about the rationale and background for the book’s ending using stream of consciousness
At about 1:57:15, Porochista shouts out Golden Hour Books and City of Asylum Books, and other places to buy her book, including Shawnee, Kansas’ Seven Stories, run by 17 yr old Halley Vincent
At about 1:59:45, Porochista shouts out the stellar Deep Vellum and Verso and writers like
At about 2:01:05, Porochista talks about exciting upcoming projects
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 259 with Jessica Whipple. Jessica writes for adults and children, and her poetry has been published recently in Funicular, Door Is a Jar, and many more. She has published two children's picture books in 2023: Enough Is… and I Think I Think a Lot.
The episode will air on October 29.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
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