Dick Powell was cast as Philip Marlowe in the 1945 film "Murder, My Sweet." Was it a stroke of genius to allow a song and dance man to reinvent himself in this role, or the desecration of a literary icon? Clute and Edwards are deeply divided on this issue, but find many topics on which they agree: whether the viewer considers Powell's performance a triumph or a tragedy, it is evident that the tension between the two strong female leads (Claire Trevor, Anne Shirley) is a fundamental driving force of the film; with numerous deft touches director Edward Dymytrk pulls the audience into Marlowe's point of view, and demonstrates the investigator's inner turmoil; Chandler is the fulcrum on which post-war film and literature teeter because Philip Marlowe is the perfect embodiment of the psychologically-scarred modern Everyman. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.