Did noir die in 1950? As a filmic style, certainly not; many of the most daring visual and narrative experiments of the classic period date from 1951-1958. However, 1950 seems to mark a dramatic transition in what might be called noir philosophy. The strong men of the post-war years, who were victims only of their own errors in judgment, cede the screen to indeterminate men, who fall victim to forces they never grasp. This transition infuses the noir universe with a crueler sense of irony but also frees directors from certain conventions, thereby ushering in a quirkier and more self-conscious era in noir's history. D.O.A typifies this era, but is saved from ambiguity by Edmond O'Brien's strong performance. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.