Painted Bride Quarterly’s Slush Pile

Episode 27: Suicides and Skeleton Jazz


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Present at the Editorial Table:

Kathleen Volk Miller

Marion Wrenn

Jason Schneiderman

Tim Fitts

Sara Aykit

 

Engineering Producer:

Ryan McDonald

 

In the midst of excitedly preparing for AWP 2017, we record this episode in which we discuss two poems by Rita Banerjee, “The Suicide Rag” and “Georgia Brown”

Rita Banerjee is the Creative Director of the Cambridge Writers’ Workshop and is currently working on a futuristic dystopian novel about Mel Cassin, a half-Tamil, half-Jewish girl stuck in the middle of a familial crisis and an epic political meltdown, and a collection of essays on race, sex, politics, and everything cool.  A jet-setter at heart, she spends her time between Munich, Germany and the United States.

Rita Banerjee

 

This week’s discussion both took us back and made sure that none of us would see the world the same way again. With images of breakdancing, gospel choir, and the not-so-innocent Georgia Brown, we were in it. Whether we’re distinguishing jazz from jazz or figuring out what a clapper is, this episode is filled with risky moves.

 

Join us in the campaign to have your local library carry lesser-known authors and small presses. Let us know what books you’ll be requesting with #getsomebooks! Let’s support libraries, small presses, and the authors who write for them.

 

Make sure you follow us on Twitter, Facebook, and let us know what you think of this episode with #longandskinny! Stay tuned to hear about our AWP 2017 experience–we hope to see you there!

And of course, most importantly, read on!

 

 

Rita Banerjee


The Suicide Rag

Billy played ragtime

on the church

organ but we

lunch hour kids,

kept time by another

name.  Behind St. Augustine’s

we learned to hit

the pavement, sound

like an anvil

crack

hammers hitting

steel, Billy playing

skeletons

on the

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Painted Bride Quarterly’s Slush PileBy Painted Bride Quarterly

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