All Through a Lens: A Podcast About Film Photography

Episode 27: The Opera of Photography


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We’re talking about Kodak Ektachrome – the history of the film and the various processes used to develop it. We’ll also give you some advice on shooting and developing expired film. We’ve got the answering machine question, some more trivia, AND we’ll give a call to Janet (@janet_built_a_wet_plate on IG), the woman who built her own wetplate camera.

After a bit of small talk and trivia, we get down to it! First up is the answering machine question:

Apart from photography, does other analog media play a role in your life?

We got a bunch of wonderful responses – and two people who still use reel-to-reels – amazing!

LET’S TALK ABOUT EXPIRED FILM

On our first segment, we both talk about our experiences with shooting and developing expired film. We get specific and continuously warn that there are no rules.

That whole “one stop for every decade” thing isn’t exactly bunk, but it’s not something you can ever count on.

First we go over how to shoot it – everything depends upon the original ISO and how the film was stored. You likely only know one of these things, so good luck!

Then we go over processing. Basically, box speed always.

Here are some of Eric’s oldest shots:

Camera: Mamiya RB67 Lens: Mamiya-Sekor 3.8/90 Film: Ilford Panchromatic; x-1960s; 6iso Process: HC-110; 1+90; 18min
  • Camera: Argus C3 (1953) Film: Adox KB-21 (expired 1951); 25iso Process: Rodinal 1+50; 14min
  • Camera: Ricoh KR-5 Film: Adox KB-21 (x-1959); 10iso Process: Xtol; Stock; 7min
  • Camera: Argus C3 (1953) Film: Adox KB-21 (expired 1951); 25iso Process: Rodinal 1+50; 14min
  • Camera: Argus C3 (1953) Film: Ilford Pan F (x-12/1960) Process: Rodinal 1+50; 10min
    LET’S CALL JANET!

    Suppose you wanted to shoot wetplate collodian, but you didn’t know much about cameras or photography. And then suppose that instead of buying an old ass camera to figure it out, you just built one yourself.

    That’s Janet. And we had a wonderful conversation with her about camera building, wetplate workshops, the opera (she said that “wetplate collodian is the opera of photography”) and so much more. It really was a delightful interview.

     

    THE HISTORY OF EKTACHROME

    Ektachrome and its process has been around for nearly 75 years. We delved into the subject, talking about each of the various E’s (E-1, E-2, E-6, etc).

    We used the research of Maurice Fisher and Michael Talburt (here) as the backbone, but fattened it up with various newspaper photography columns that were published as Kodak broke the news of Ektachrome (and the numerous iterations along the way).

  • We even take you through the earliest Ektachrome Process, step by step!

  • PATREON SHOUTOUTS!
    Michael
    Leland Buck
    Bob DeHoff
    Jesse
    Alan Mills
    Mike Crawford
    Matthew Stubbs
    Ken Bertram
    shades
    Janet Devereaux-Gaffney
    Ryan Barker
    LIz Potter
    Michelle Singletary
    Ralph Brandi
    Martín Ventura
    Colin Cameron
    Space_Critter
    Jaya Bhat
    Alex Purcell
    Omols
    Steve Tester
    Alex Morrison
    MillsMills
    Adam Roberts
    Tim Anderson
    Dan Tree
    Or sachs
    Kate Miller-Wilson
    Jonathan Feng
    Juliet Schwab
    Michael Dales
    kollimatorn
    Robert Burton
    Abel Silva
    Kikie Wilkins
    Alan Joseph Marx
    Dave Walker
    James Huffstutler
    Jamie Maldonado
    Nick Gaylord

    And this episode, our featured patron is Jamie Maldonado! You can (and should) find him at (@jamiemphoto on IG).

     

    —–

    Be sure to check out our Dev Party episodes.

    Music by Last Regiment of Syncopated Drummers

    Vania: IGFlickrZines

    Eric: IGFlickrZinesECN-2 Kits

    All Through a Lens: IGWebsitePatreon

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