In which Charis and Sharon discuss the first half of CLOUDS OF WITNESS, wherein Peter must defend his brother, the Duke of Denver, after the latter is accused of murdering their sister's fiancé.

We cover British vs. American detective fiction traditions and what CLOUDS OF WITNESS owes to the Victorian country house mystery. We also talk about Sharon's theory of epigraphs, depictions of marriage in the novel, options (or lack thereof) for independent women in the 1920s, and what a mystery with Charles Parker as the protagonist might look like.

An alert for our listeners: this episode includes the sound effect of a rifle firing. If you wish to avoid hearing it, skip past minute 1:10.

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