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Welcome back and thanks for listening. If you missed episode one and two, don't worry - they aren't sequential - but you should definitely go back and check it out when you are done here. It was a good one.
If you are a first time listener: this show features conversations with composers, and yes, it is about their music - but mostly it is an opportunity to get to know them as people. We will be sharing a drink and just talking about things that interest us. I hope that this feels a little bit less like an interview, and more like a casual conversation at a bar during happy hour. Consider this an invitation to pour yourself a drink, sit down, relax, and join us.
Episode 3 features a conversation with Mari Esabel Valverde. Mari and I actually met years ago at a bar in Seattle, but unfortunately didn't have much time to chat. I am so glad that she was able to join me for a drink and a conversation. We had a chance to discuss how artists begin to define themselves as artists, repertoire and required lists, and even briefly chat in French. Her music is gorgeous and challenging, and if you somehow aren't already familiar with her work - you will be soon.
As always, if you like what you hear - you can buy us a beer! Visit us at www.buymeacoffee.com/whateverchoir and click "Support." Your contribution goes to supporting future projects by whateverandeveramen.
Award-winning composer and singer Mari Esabel Valverde has been commissioned by the American Choral Directors Association, Texas Music Educators Association, Seattle Men’s and Women’s Choruses, and Boston Choral Ensemble among others and has appeared with Dallas Chamber Choir, Vox Humana, and EXIGENCE (Detroit). She was a featured composer at the 2016 Gay and Lesbian Association of Choruses Festival, where her “Our Phoenix” was premièred by six collective ensembles from the United States and Canada. Her works are published by earthsongs and Walton Music and self-published.
She holds degrees from St. Olaf College, the European American Musical Alliance in Paris, France, and San Francisco Conservatory of Music. She is a member of the American Choral Directors Association and the American Society of Composers, Authors, and Publishers.
4.9
3030 ratings
Welcome back and thanks for listening. If you missed episode one and two, don't worry - they aren't sequential - but you should definitely go back and check it out when you are done here. It was a good one.
If you are a first time listener: this show features conversations with composers, and yes, it is about their music - but mostly it is an opportunity to get to know them as people. We will be sharing a drink and just talking about things that interest us. I hope that this feels a little bit less like an interview, and more like a casual conversation at a bar during happy hour. Consider this an invitation to pour yourself a drink, sit down, relax, and join us.
Episode 3 features a conversation with Mari Esabel Valverde. Mari and I actually met years ago at a bar in Seattle, but unfortunately didn't have much time to chat. I am so glad that she was able to join me for a drink and a conversation. We had a chance to discuss how artists begin to define themselves as artists, repertoire and required lists, and even briefly chat in French. Her music is gorgeous and challenging, and if you somehow aren't already familiar with her work - you will be soon.
As always, if you like what you hear - you can buy us a beer! Visit us at www.buymeacoffee.com/whateverchoir and click "Support." Your contribution goes to supporting future projects by whateverandeveramen.
Award-winning composer and singer Mari Esabel Valverde has been commissioned by the American Choral Directors Association, Texas Music Educators Association, Seattle Men’s and Women’s Choruses, and Boston Choral Ensemble among others and has appeared with Dallas Chamber Choir, Vox Humana, and EXIGENCE (Detroit). She was a featured composer at the 2016 Gay and Lesbian Association of Choruses Festival, where her “Our Phoenix” was premièred by six collective ensembles from the United States and Canada. Her works are published by earthsongs and Walton Music and self-published.
She holds degrees from St. Olaf College, the European American Musical Alliance in Paris, France, and San Francisco Conservatory of Music. She is a member of the American Choral Directors Association and the American Society of Composers, Authors, and Publishers.