
Sign up to save your podcasts
Or


No album can be deemed classic without a supreme first track. Life After Death is a perfect example. “Somebody’s Gotta Die” is a master class on cinematic storytelling. Producer Nasheim Myrick gives us a never before told Biggie story that may make Salt & Pepa shoop.
The album’s initial track was only preceded by its author’s imaging, commandeered by world renowned photographers like Michael Lavine and Barron Claiborne. We speak with both on their portraits attached to B.I.G.’s legacy.
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
By WMX / Warner Music Group4.7
2525 ratings
No album can be deemed classic without a supreme first track. Life After Death is a perfect example. “Somebody’s Gotta Die” is a master class on cinematic storytelling. Producer Nasheim Myrick gives us a never before told Biggie story that may make Salt & Pepa shoop.
The album’s initial track was only preceded by its author’s imaging, commandeered by world renowned photographers like Michael Lavine and Barron Claiborne. We speak with both on their portraits attached to B.I.G.’s legacy.
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.