Walter Murch’s sound technique worldizing defines George Lucas’s American Graffiti, emulating how a sound would be heard in the particular location of each scene. In this episode, Devan and Will discuss the technique and how Murch uses it to serve the narrative needs of American Graffiti.

Walter Murch’s sound technique worldizing defines George Lucas’s American Graffiti, emulating how a sound would be heard in the particular location of each scene. In this episode, Devan and Will discuss the technique and how Murch uses it to serve the narrative needs of American Graffiti.

Walter Murch’s sound technique worldizing&nbsp;defines George Lucas’s American Graffiti,&nbsp;emulating how a sound would be heard in the particular location of each scene. In this episode, Devan and Will discuss the technique and how Murch uses it to serve the narrative needs of American Graffiti.

Episode 3: Worldizing Sound and American Graffiti

Film Formally gets granular about how movies work by studying a technique or trait through its best examples. Independent filmmakers and friends Devan Scott and Will Ross leverage years of experience watching and making movies to bring you spirited and approachable conversations, offering brick-by-brick analysis and discussions about how films work.

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Episode 3: Worldizing Sound and American Graffiti

Episode 3: Worldizing Sound and American Graffiti