January 13, 2026

Episode 313 - A Few Good Men

3 hours 40 minutes

“You can’t handle the truth.”

Join Ian & Liam for our 313th episode as we step into the pressurised courtroom, moral brinkmanship, and razor-sharp dialogue of Rob Reiner’s A Few Good Men (1992). Button up the dress whites, take your seats, and prepare for a film obsessed with duty, power, and the stories institutions tell themselves to survive.

This week we discuss:

Aaron Sorkin’s dialogue as a weapon — rhythm, repetition, and confrontation. Is this peak Sorkin, or the moment his style becomes unmistakably dominant?

Tom Cruise as Lt. Kaffee — charming, evasive, underestimated. Is this Cruise’s most interesting performance precisely because he starts behind the power curve?

Jack Nicholson’s Colonel Jessup — operatic, terrifying, magnetic. Does the film become his the moment he enters it?

The courtroom structure — how the film drip-feeds information, builds pressure, and engineers one of the most famous climaxes in cinema history.

The ethics at the heart of the story — where does responsibility lie: with the men who carried out orders, or the system that created them?

Ian talks about criticisms of the ending and if they're reading the film correctly

We explores how masculinity functions in the film — honour, obedience, pride, and camaraderie

The supporting cast — Demi Moore’s steely professionalism, Kevin Bacon’s moral slipperiness, and who almost got Kevin Pollak's role

That scene — inevitability versus surprise. Does the famous monologue work because it’s shocking, or because it feels unavoidable?

The ending — justice served, or merely order restored? What actually changes once the truth is out?

And finally, whether A Few Good Men is the Best Film Ever — or simply one of the most watchable, endlessly quotable courtroom dramas ever made.

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Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

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