Countermelody

Episode 347. Will the Real Eleanor Steber Please St/And Up?


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Because there is no such thing as too much Eleanor Steber, today’s episode once again features the prodigiously gifted singer, in my opinion the greatest soprano the United States has ever produced, singing a dizzying range of material, most of it recorded live between the years 1958 and 1979. These recordings were nearly all private releases on Steber’s own record labels.. First, ST/AND Records, which she formed with her second husband Gordon Andrews, and which between 1960 and 1962 produced approximately fifteen LPs, all but one of them featuring Steber. Second, recordings released under the aegis of the Eleanor Steber Music Foundation, which she formed in 1973 and which released a few choice live recordings of Steber’s late career recitals. The material ranges from selections from the Christian Science Hymnal, piously presented; sentimental ballads, tackily arranged; Bach and Mozart arias; art songs by Rorem, Barber, Britten, Debussy, Berg, and Beethoven; and opera arias from I Puritani, Der Freischütz, Giulio Cesare, and Tosca, the last performed at her campy Live at the Continental Baths concert in October 1973. Though as Steber grew older, her voice occasionally sounded blowsy, on the vast majority of these recordings she sounds stunningly good. And no matter what repertoire she was singing, her impeccable technique and pristine musicianship remained intact throughout. Much of source material from which these performances stem is exceedingly rare, and for the most part difficult and costly to obtain. So in my role as supreme Steber groupie, I am honored and thrilled to share these recordings, all of them from my own personal collection.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

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CountermelodyBy DANIEL GUNDLACH

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