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As a Visualization Editor at Framestore, Beatriz Amaral Teixeira is deeply involved in shaping the cinematic language of some of the biggest films in Hollywood — from Deadpool & Wolverine and Barbie to Guardians of the Galaxy Vol. 3 and The Matrix Resurrections.
In this episode, Beatriz explains what it really means to be a visualization editor, a role that bridges previs and postvis — crafting the visual foundation in pre-production and refining the story through post. With a background in editing and a sharp eye for storytelling, she shares how she carved out her path in the industry, the creative collaboration behind blockbusters, and the evolving role of visualization in modern filmmaking.
🎧 Listen to How I Made It (Somehow) — stories of creative persistence, career pivots, and making it in the film industry... somehow.
By Gaetano GhiuraAs a Visualization Editor at Framestore, Beatriz Amaral Teixeira is deeply involved in shaping the cinematic language of some of the biggest films in Hollywood — from Deadpool & Wolverine and Barbie to Guardians of the Galaxy Vol. 3 and The Matrix Resurrections.
In this episode, Beatriz explains what it really means to be a visualization editor, a role that bridges previs and postvis — crafting the visual foundation in pre-production and refining the story through post. With a background in editing and a sharp eye for storytelling, she shares how she carved out her path in the industry, the creative collaboration behind blockbusters, and the evolving role of visualization in modern filmmaking.
🎧 Listen to How I Made It (Somehow) — stories of creative persistence, career pivots, and making it in the film industry... somehow.