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We discuss:
Algeria’s War of Independence
Willful forgetting and the obligation to remember colonial history
The reality of France's (post)colonial impact
Personal and collective guilt and intentional amnesia
Inter-generational trauma
Themes of personal, national, and multi-national guilt
The obligation to confront the harms of history, even when they implicate one’s own family
The massacre of French Algerians on October 17, 1961, led by Maurice Papon
The reality of France, and especially Paris, as a divided place
Maurice Bénichou’s performance in relation to the star power of Daniel Auteuil and Juliette Binoche
How we individually and collectively respond to the painful ripples of history
W. H. Auden’s poem, “Musée des Beaux Arts”
By Elsie WalkerWe discuss:
Algeria’s War of Independence
Willful forgetting and the obligation to remember colonial history
The reality of France's (post)colonial impact
Personal and collective guilt and intentional amnesia
Inter-generational trauma
Themes of personal, national, and multi-national guilt
The obligation to confront the harms of history, even when they implicate one’s own family
The massacre of French Algerians on October 17, 1961, led by Maurice Papon
The reality of France, and especially Paris, as a divided place
Maurice Bénichou’s performance in relation to the star power of Daniel Auteuil and Juliette Binoche
How we individually and collectively respond to the painful ripples of history
W. H. Auden’s poem, “Musée des Beaux Arts”