This is part of talkPOPc's #3 project: Art as Cognition

Marina has deep feelings about the kind of visual art she encounters in churches, particularly stained glass. She seems to have a dislike for the experience involved in perspectival vision where one separates the object from the background. It is an experience of the whole of the scene as a whole, and not a systematic identification of object-recognition. It is the experience of the gist.

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