Welcome to another Weird Wednesday — We are in the backup studio after the computer meltdown (and no, Adam didn’t break it… probably).
Today we continue our deep dive into Danger Mouse’s legendary mashup project: The Grey Album — where Jay-Z’s Black Album meets The Beatles’ White Album and somehow becomes its own thing entirely.

This is Part 3 of our four-part series, so if you skipped Episodes 1 and 2 thinking you’d be “cool”… go back.
It’ll make way more sense.

It’s been years since either of us listened all the way through, so the reactions in this episode are fresh, surprised, and full of “wait… I forgot how good this part is.”

We break down how perfectly Jay-Z’s cadence sits on a Beatles sample — without obvious pitch-shifting.
It shouldn’t blend this well… but somehow it does.

Every sound you hear — kicks, snares, hi-hats, pads — was created strictly from White Album audio.
We dig into how he:

• repurposed Clapton’s While My Guitar Gently Weeps riff into a soft pad

• built drum patterns from Savoy Truffle and Birthday

• looped imperfect phrases into smooth beats

• kept everything cohesive without modern plugins or sample packs

We walk through:

• What More Can I Say

• Encore (one of the standout flips)

• December 4th

• Helter Skelter mashup
  —and more, calling out the clever cuts, sample skips, and unexpected transitions.

One of the album’s strongest moments pairs Jay-Z’s most aggressive track with Helter Skelter — easily the Beatles’ most unhinged song.
It’s loud, it’s messy, it’s intense… and it weirdly works.

A few combinations feel like stretches — cool concepts, but not emotionally satisfying.
We call out one in particular and why it doesn’t quite land.

We talk about Jay-Z’s style of narrative writing, the criticisms he gets, and how certain lines hit differently when surrounded by psychedelic Beatles melodies.

We discuss whether Danger Mouse had a clear plan…
or whether this album is a brilliant collection of “let’s just try this and see what happens” experiments.

We get into:

• Mother Nature’s Son

• Glass Onion

• Dear Prudence

• Julia

• the Across the Universe movie

• and the wild Evan Rachel Wood / Marilyn Manson story

We wrap the episode with a track that feels straight out of Across the Universe and tease Part 4 — where we finish the album and get into the massive copyright explosion known as “Grey Tuesday.”

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🎧 What We Cover in Part 3• Hearing The Grey Album again for the first time• The Public Service Announcement intro• Danger Mouse’s editing wizardry• Track-by-track reactions• Jay-Z aggression meets Beatles chaos• When mashups don’t work• Storytelling in hip-hop• Creativity, chaos, and happy accidents• Music deep cuts & movie trivia• Closing Thoughts