Dealing with scheduling of the festival during covid-19 Getting positive pressure from Martin Stewart to do the festival in 2016 The folks involved in working on Sound and Fury Booking the festival in non-ticketed venues vs ticketed Buying pre-sale tickets to shows now vs. yesteryear Downtown LA becoming gentrified and having shows Booking venues owned by LiveNation vs venues not owned by LiveNation 10,000 people attending a hardcore show 3 Bands that Riley was personally excited to book on SaF Having Hardcore music and culture help give confidence to be creative How gratifying it is throwing Sound and Fury Sound and Fury being more focused on modern bands releasing music opposed to reunion bands Harley Flanagan still writing new hardcore music and still being awesome