Episode 5 saw artists gathering in the kitchen, the heating was broken, we gravitated to the warmest room in the building. It provided its own politics. In this episode we read through Sara Ahmed's Cultural Politics of Emotion and the word 'Hope' immediately took us on a journey embracing current political feelings as well as hope for a free Palestine.
 
All episodes were produced by Sound Art Tom Harris. Images by Taken by Sancha and Reece Straw.

Episode 5 saw artists gathering in the kitchen, the heating was broken, we gravitated to the warmest room in the building. It provided its own politics. In this episode we read through Sara Ahmed's Cultural Politics of Emotion and the word 'Hope' immediately took us on a journey embracing current political feelings as well as hope for a free Palestine. All episodes were produced by Sound Art Tom Harris. Images by Taken by Sancha and Reece Straw.

Episode 5: Hope/ Palestine

This podcast documents 12 months of conversations, dinners, and gatherings - often around a dinner table as part of the exhibition Courses for Dis-Course(s). The conversations ask what it means to make in a world that is constantly demanding cultural, gendered and ethnic performance. Is it possible to work beyond the confines of reductive identity art? How do we avoid tokenised representations of identities and resist further contributing to a view of identity as innate and fixed rather than socially constructed and in flux? How do we complicate the narrative of British Asian women artists?

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Episode 5: Hope/ Palestine

Episode 5: Hope/ Palestine