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Composer and vocalist Erin Gee (ResBods 2019, September 5th) happened into her singular composition style somewhat by accident—she was assigned a composition exercise as a graduate student: write a work for solo voice. She wondered, as many composers do, “is there a way to go beyond the emotions that we automatically apply to voice? Can I make sounds with the voice that are truly abstract?” What she came up with has been her incredible artistic output, the Mouthpiece series, which lives in a sound world all of her own making. On this episode, Erin goes into a deep dive with ResBods director Lucy Dhegrae about how these pieces came to be, how she transitioned to being a vocal performer, and where she sees her work going next.
By Resonant BodiesComposer and vocalist Erin Gee (ResBods 2019, September 5th) happened into her singular composition style somewhat by accident—she was assigned a composition exercise as a graduate student: write a work for solo voice. She wondered, as many composers do, “is there a way to go beyond the emotions that we automatically apply to voice? Can I make sounds with the voice that are truly abstract?” What she came up with has been her incredible artistic output, the Mouthpiece series, which lives in a sound world all of her own making. On this episode, Erin goes into a deep dive with ResBods director Lucy Dhegrae about how these pieces came to be, how she transitioned to being a vocal performer, and where she sees her work going next.