Since the early ‘90s, Graham Lambkin has created music that pushes the song form to its limits, using noise, samples, spoken word, and any sound that has the good fortune of finding its way into his field recorder. In this “Listening History†episode of The Organist, Lambkin discusses some of the songs that formed his sensibility, from experimental UK postpunk to the a recording of his family listening to Italian prog rock on a road trip through Britain.