When we think of operetta, words like “edgy” and “sexy” rarely come to mind. Dr. Kevin Clarke is hoping to change that through his work with the Operetta Research Center, which focuses on studying and reevaluating works from the first half of the twentieth century. These had long been denigrated as “silver operetta,” as opposed to the supposed Golden Age of the late nineteenth century, when composers like Johann Strauss and Gilbert & Sullivan created some of the most famous examples of the genre. Weimar operetta was a vibrant expression of international culture and sexual liberation, incorporating new musical influences such as jazz and frequently showcasing the work of Jewish artists, which made it a particular target of the Nazi regime. After World War II, social conservatives sought to keep these operettas in obscurity, repelled by their freewheeling and tolerant-minded explorations of sexuality.

Now, these hidden gems of musical theatre are making a comeback, thanks to the efforts of scholars like Kevin and directors like Barrie Kosky. Kevin joined us to talk about the ongoing reevaluation of this long-neglected part of operetta history.