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đ Episode 61 â When Are We Going to Use This?
Welcome back to Piano, Finally, where I share the ups, downs, and sideways detours of learning piano later in life. This weekâs opening note: if you contact me via Buzzsproutâs FanMail, I canât replyâso if youâd like a conversation, please send an email to [email protected].
Itâs Science Week here in NSW schools, and between showing science demos to preschoolers and heading out to a Bach-meets-acrobatics performance, Iâve also been keeping an eye on Septemberâs Sydney Fringe Festival.
YouTube Spotlight â Ben Maton, The Salisbury Organist
The algorithm got this one right. Ben Matonâs channel features visits to rural British churches, telling their stories and playing their organsâsometimes linking the repertoire directly to the churchâs history. Expect Elgar in his birthplace, Hans Zimmerâs Interstellar, and even Elvis. Ben also composes, writes for Choir & Organ magazine, and shares his broader work at benmatonmusic.co.uk.
Essay â When Are We Going to Use This?
In teaching (and learning music), the question often isnât about the piece itself, but the skills learned along the way. Just as science lessons might quietly teach students how to follow instructions, beginner pieces like Amazing Grace teach note-reading, even if theyâll never be performed. The best reason to choose a piece is to develop a skill youâll use laterâsomething I kept in mind when selecting my latest repertoire with Devi.
Review â ANZCA Modern Pianoforte Preliminary â Series 2
This companion to last weekâs classical book includes pop, rock, blues, and boogie pieces. Iâve chosen Tick Tock Blues (C major, staccato/legato), Sneak (Eâ major), and Blue Sky Boogie (mezzo staccato). Slightly simpler than the classical volume, but great for building targeted skills.
Book link | ANZCA shop
Progress
This week: Study in G (MĂŒller), Tick Tock Blues (Hunter), and the descending scale from Riders on the Storm. Classical pieces recorded on the Kawai NV10 with Pianoteq 8; Riders on the Nord Stage 4 with My Keys To Music presets.
đŹ [email protected] | đ pianofinally.show
The contents of this podcast were entirely generated by a human. These show notes, however, were created by ChatGPT.
Send me a text message.
You can contact me:
Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.
All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
đ Episode 61 â When Are We Going to Use This?
Welcome back to Piano, Finally, where I share the ups, downs, and sideways detours of learning piano later in life. This weekâs opening note: if you contact me via Buzzsproutâs FanMail, I canât replyâso if youâd like a conversation, please send an email to [email protected].
Itâs Science Week here in NSW schools, and between showing science demos to preschoolers and heading out to a Bach-meets-acrobatics performance, Iâve also been keeping an eye on Septemberâs Sydney Fringe Festival.
YouTube Spotlight â Ben Maton, The Salisbury Organist
The algorithm got this one right. Ben Matonâs channel features visits to rural British churches, telling their stories and playing their organsâsometimes linking the repertoire directly to the churchâs history. Expect Elgar in his birthplace, Hans Zimmerâs Interstellar, and even Elvis. Ben also composes, writes for Choir & Organ magazine, and shares his broader work at benmatonmusic.co.uk.
Essay â When Are We Going to Use This?
In teaching (and learning music), the question often isnât about the piece itself, but the skills learned along the way. Just as science lessons might quietly teach students how to follow instructions, beginner pieces like Amazing Grace teach note-reading, even if theyâll never be performed. The best reason to choose a piece is to develop a skill youâll use laterâsomething I kept in mind when selecting my latest repertoire with Devi.
Review â ANZCA Modern Pianoforte Preliminary â Series 2
This companion to last weekâs classical book includes pop, rock, blues, and boogie pieces. Iâve chosen Tick Tock Blues (C major, staccato/legato), Sneak (Eâ major), and Blue Sky Boogie (mezzo staccato). Slightly simpler than the classical volume, but great for building targeted skills.
Book link | ANZCA shop
Progress
This week: Study in G (MĂŒller), Tick Tock Blues (Hunter), and the descending scale from Riders on the Storm. Classical pieces recorded on the Kawai NV10 with Pianoteq 8; Riders on the Nord Stage 4 with My Keys To Music presets.
đŹ [email protected] | đ pianofinally.show
The contents of this podcast were entirely generated by a human. These show notes, however, were created by ChatGPT.
Send me a text message.
You can contact me:
Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.
All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.