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The July 2023 episode of In a Manner of Speaking is all about William Shakespeare. Paul dives deep into the Bard, from iambic pentameter, to scansion, to scoring, to metre, to Original Pronunciation. It’s a fun exercise for scholars and professionals but also actors just starting out on their Shakespeare journey.
Paul references his Voicing Shakespeare ebook, which is a great accompaniment to this month’s podcast. For details on how to purchase and download it, go here. (It’s available both in Windows and iTunes/Mac/iPhone formats.)
Below is Edmund’s speech from King Lear, Act 1, Scene 2. To hear Paul deliver the speech in Original Pronunciation (OP), click or tap the triangle-shaped play button. (To hear Paul’s reading of the speech in a modern dialect, go here. ) And for a more complete scansion and scoring of the speech, click here.
Thou, na│ture, art│ my god│dess; ││ to │thy law ENJ
[1] This line scans as a broken-backed hexameter with a silent extra beat, taking up metrical space, following brother. This is a very rare type of line.
For a partial phonetic analysis of the speech in Original Pronunciation, see below. (For further analysis of OP, see Paul’s Original Pronunciation ebook.)
Thou, nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me,
For that I am some twelve or fourteen moon-shines
Lag of a brother? Why bastard? wherefore base?
When my dimensions are as well compact,
My mind as generous, and my shape as true,
As honest madam’s issue? Why brand they us
With base? with baseness? bastardy? base, base?
And for further Shakespeare study, don’t forget to listen to Paul’s previous podcasts: episodes one, fifteen, thirty-six, forty-three, and fifty-eight.
(Bach’s Cello Suite #1 in G Major BMV 1007 Prelude (by Ivan Dolgunov) is courtesy of Jamendo Licensing.)
The post Episode 66 (“Shakespeare’s Magical Keyboard”) first appeared on Paul Meier Dialect Services.
By Paul Meier4.7
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The July 2023 episode of In a Manner of Speaking is all about William Shakespeare. Paul dives deep into the Bard, from iambic pentameter, to scansion, to scoring, to metre, to Original Pronunciation. It’s a fun exercise for scholars and professionals but also actors just starting out on their Shakespeare journey.
Paul references his Voicing Shakespeare ebook, which is a great accompaniment to this month’s podcast. For details on how to purchase and download it, go here. (It’s available both in Windows and iTunes/Mac/iPhone formats.)
Below is Edmund’s speech from King Lear, Act 1, Scene 2. To hear Paul deliver the speech in Original Pronunciation (OP), click or tap the triangle-shaped play button. (To hear Paul’s reading of the speech in a modern dialect, go here. ) And for a more complete scansion and scoring of the speech, click here.
Thou, na│ture, art│ my god│dess; ││ to │thy law ENJ
[1] This line scans as a broken-backed hexameter with a silent extra beat, taking up metrical space, following brother. This is a very rare type of line.
For a partial phonetic analysis of the speech in Original Pronunciation, see below. (For further analysis of OP, see Paul’s Original Pronunciation ebook.)
Thou, nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me,
For that I am some twelve or fourteen moon-shines
Lag of a brother? Why bastard? wherefore base?
When my dimensions are as well compact,
My mind as generous, and my shape as true,
As honest madam’s issue? Why brand they us
With base? with baseness? bastardy? base, base?
And for further Shakespeare study, don’t forget to listen to Paul’s previous podcasts: episodes one, fifteen, thirty-six, forty-three, and fifty-eight.
(Bach’s Cello Suite #1 in G Major BMV 1007 Prelude (by Ivan Dolgunov) is courtesy of Jamendo Licensing.)
The post Episode 66 (“Shakespeare’s Magical Keyboard”) first appeared on Paul Meier Dialect Services.